Jane Eyre flees Thornfield House, where she works as a governess for wealthy Edward Rochester.
The film was directed by Cary Fukunaga, and it has a great cast of actors that include Mia Wasikowska, Michael Fassbender, Jamie Bell, Judi Dench, Sally Hawkins , Imogen Poots, Holliday Grainger and Tamsin Merchant. It's been such a long time since I've read the novel, but after watching this trailer, I'm looking forward to seeing the movie. I honestly didn't think I would be interested in seeing this movie. I really wasn't expecting that, but it's there, and it set a great tone for the trailer. There's a point in the trailer when a cloud of black ash from a fireplace explodes at a young Jane, at which point the classic score from Susperia surprisingly kicks into high gear. I love this trailer, and the film looks like it's going to be great. Without the costumes, sets, locations, sound design and the wind and rain, gothic romance cannot exist.Focus Features has released a fantastic trailer for the upcoming film adaptation of the classic novel by Charlotte Brontë, Jane Eyre. Judi Dench is firm, as a housekeeper must be firm, and observes everything, as a housekeeper must. Michael Fassbender is an Irish actor who can have a threatening charm did you see him in “ Fish Tank” (2010), a quite different film about a seductive man who takes advantage of a teenage girl? Mia Wasikowska, from Australia, is a relative newcomer who must essentially carry “Jane Eyre,” and succeeds with restraint, expressing a strong moral compass. He's a director with a sure visual sense, here expressed in voluptuous visuals and ambitious art direction. Its story, based on fearsome Mexican gangs, scarcely resembles “Jane Eyre,” but it showed an emotional intensity between characters who live mostly locked within themselves. The director here is Cary Fukunaga, whose “ Sin Nombre” was one of the best films of 2009.
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Much of the power comes from repressed emotions, and perhaps Charlotte Bronte was writing in code about the feelings nice women of her time were not supposed to feel. The novel is actually about forbidden sexual attraction on both sides, and its interest is in the tension of Jane and Rochester as they desire sex but deny themselves. Its secret is a red herring with all the significance of “Rosebud.” It functions only to provide Rochester with an honorable reason to propose a dishonorable thing, and thus preserve the moral standards of the time. Here Judi Dench's contribution is significant the tone of her voice conveys so much more about Rochester than her words.Įither you know the plot or not.
Fairfax, and the sense that something is amiss in the enormous manor. Rochester is absent a good deal of the time, although represented by the foreboding atmosphere of Thornhill, the enigmatic loyalty of Mrs. No version I know of has ever made Rochester as unattractive as he is described in the book. Whether in any version he is old enough to accomplish what he has done in life is a good question, but this film is correct in making their age difference obvious Jane in every sense must be intimidated by her fierce employer. In the novel, Jane is scarily 20 and Rochester is … older. Mia Wasikowska is 21 and Michael Fassbender is 34. The classic “Jane Eyre” is the 1944 version with Joan Fontaine and Orson Welles. How he came into the possession of a young girl as his “ward” is an excellent question, one among many that could probably be answered by Thornfield's dedicated housekeeper, Mrs.
She is employed by the intimidating Rochester ( Michael Fassbender) to supervise the care of his “ward,” Adele Varens (Romy Settbon Moore), who is being raised in his isolated manor, Thornfield. Jane is described in the novel as a plain girl is that where the phrase “plain Jane” comes from? Here she's played by Mia Wasikowska (of Tim Burton's “ Alice in Wonderland”), who is far from plain but transforms herself into a pale, severe creature who needs to be watered with love. This is not the opening we expect, with Jane already fully grown, but later in flashbacks, we'll be reminded of her Dickensian girlhood, her cruel aunt, her sadistic boarding school, and her need as a girl without means to earn her own way as a governess. The film opens with Jane Eyre fearfully fleeing across the bleak moors, where even nature conspires against her. This atmospheric new “Jane Eyre,” the latest of many adaptations, understands those qualities, and also the very architecture and landscape that embody the gothic notion.
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